Di Donato family photographic archive

Stonework
Before & After

Forty-five historic photographs preserve both sides of the craft: carved limestone standing on the mill floor and the finished work installed on buildings.

Rows of carved stone figures on the workshop floor
Carved figures photographed before installation

Finished building + workshop sequence

Museum of Science and Industry, Chicago

This is a true before-and-after sequence. Finished views show the equestrian panels installed between the exterior columns—most clearly in archive photograph 006—while photographs 017–029 document those same horse-and-rider reliefs on the shop floor before installation. The sequence also includes the building’s standing limestone figures in finished and workshop views.

29 photographs
Completed building across the lagoon
Archive 001Completed building across the lagoon
Museum of Science and Industry, Chicago, family archive photograph 2
Archive 002Workshop view — subject identification in progress
Museum of Science and Industry, Chicago, family archive photograph 3
Archive 003Workshop view — subject identification in progress
Installed reliefs and colonnade
Archive 004Installed reliefs and colonnade
Museum of Science and Industry, Chicago, family archive photograph 5
Archive 005Workshop view — subject identification in progress
Equestrian relief panels installed between the columns
Archive 006Equestrian relief panels installed between the columns
Museum of Science and Industry, Chicago, family archive photograph 7
Archive 007Workshop view — subject identification in progress
Caryatid figures installed
Archive 008Caryatid figures installed
Museum of Science and Industry, Chicago, family archive photograph 9
Archive 009Workshop view — subject identification in progress
Entrance figures installed
Archive 010Entrance figures installed
Figure photographed before installation
Archive 011Figure photographed before installation
Winged figure before installation
Archive 012Winged figure before installation
Museum of Science and Industry, Chicago, family archive photograph 13
Archive 013Workshop view — subject identification in progress
Museum of Science and Industry, Chicago, family archive photograph 14
Archive 014Workshop view — subject identification in progress
Museum of Science and Industry, Chicago, family archive photograph 15
Archive 015Workshop view — subject identification in progress
Sculptural figures assembled on the shop floor
Archive 016Sculptural figures assembled on the shop floor
Equestrian relief before installation
Archive 017Equestrian relief before installation
Equestrian relief before installation
Archive 018Equestrian relief before installation
Equestrian relief before installation
Archive 019Equestrian relief before installation
Equestrian relief before installation
Archive 020Equestrian relief before installation
Equestrian relief before installation
Archive 021Equestrian relief before installation
Equestrian relief before installation
Archive 022Equestrian relief before installation
Equestrian relief before installation
Archive 023Equestrian relief before installation
Equestrian relief before installation
Archive 024Equestrian relief before installation
Equestrian relief before installation
Archive 025Equestrian relief before installation
Equestrian relief before installation
Archive 026Equestrian relief before installation
Equestrian relief before installation
Archive 027Equestrian relief before installation
Equestrian relief before installation
Archive 028Equestrian relief before installation
Equestrian relief before installation
Archive 029Equestrian relief before installation

Bruner & Donato Carving Contractors

Workshop Portfolio and Architectural Ornament

Many originals carry the visible studio credit “Bruner & Donato, Carving Contractors, Bloomington, Ind.” The photographs document pulpits, standing figures, narrative reliefs, moldings, capitals, masks, crests and pedimental sculpture. The photographs do not give the partners’ first names; research continues into whether the Donato participant was Harry, Chris, or both.

12 photographs
Six standing figures
Archive 031Six standing figures
Narrative relief suspended in the shop
Archive 032Narrative relief suspended in the shop
Narrative relief suspended in the shop
Archive 033Narrative relief suspended in the shop
Ornamental molding
Archive 034Ornamental molding
Lion-head block
Archive 035Lion-head block
Carved molding courses
Archive 036Carved molding courses
Ionic capital
Archive 037Ionic capital
Figural architectural block
Archive 038Figural architectural block
Pedimental religious relief
Archive 039Pedimental religious relief
Completed institutional building
Archive 040Completed institutional building
Heraldic crest
Archive 041Heraldic crest
Ionic capital study
Archive 042Ionic capital study

Finished structure + carving details

Tribune Tower, Chicago — Family Archive Identification

These three photographs are grouped in the family archive with the Tribune Tower material: a finished exterior view, the monumental entrance and two carved details. Formal corroboration against architectural records remains a research priority.

3 photographs
Finished exterior at street level
Archive 043Finished exterior at street level
Monumental carved entrance
Archive 044Monumental carved entrance
Figural and foliate carving details
Archive 045Figural and foliate carving details

Newly identified · shop floor to finished installation

St. Luke’s Episcopal Church

Evanston, Illinois · Tallmadge & Watson · 1928–1929

Archive photograph 030 shows the church’s carved Select Buff Indiana limestone pulpit assembled before installation. The original photograph is marked “Bruner & Donato, Carving Contractors, Bloomington, Ind.” and “American Mill, Indiana Limestone Co., 4-21-28.”

Indiana University’s matching record identifies the completed work at St. Luke’s and lists Indiana Limestone Company (ILCO) as the cut-stone contractor. Taken together, the photographs document Bruner & Donato executing the carving within an ILCO project—consistent with family history concerning Chris’s relationship with ILCO and later contract carving for the company.

IU project series
IL2225
Stone
Select Buff limestone
Subjects
Pulpits · mills · stone carving
St. Luke's Episcopal Church limestone pulpit assembled at the American Mill, marked Bruner and Donato Carving Contractors
Family archive 030 · primary evidenceThe St. Luke’s pulpit on the mill floor, bearing both the Bruner & Donato and Indiana Limestone Company identifications.

Documented public sculpture · Bloomington, Indiana

The Spirit of the Fighting Yank

These modern family photographs document Harry D. Donato’s role in the courthouse monument. The pedestal inscription names Fluck Cut Stone Company as presenter, Harry D. Donato as carver, E. M. Viquesney as sculptor, and the Bloomington Chamber of Commerce as the organization that erected it. The Smithsonian inventory record ↗ independently repeats that attribution under control number IAS IN000117.

Albert M. Donato III with his daughters Nicole and Tori in front of The Spirit of the Fighting Yank in Bloomington
Family photographAlbert M. Donato III with his daughters Nicole, left, and Tori, center, at the Monroe County Courthouse monument.
Pedestal inscription crediting Harry D. Donato as carver of The Spirit of the Fighting Yank
Primary physical evidencePedestal inscription: “Presented by Fluck Cut Stone Company · Harry D. Donato, Carver · E. M. Viquesney, Sculptor · Erected by Bloomington Chamber of Commerce.”

Institutional records and comparison photographs

Follow the evidence

These links open the museum, university and public-archive records used to identify projects and compare the family photographs with completed buildings. A linked building photograph documents appearance and location; only records explicitly naming a Donato or Bruner & Donato are treated as attribution evidence.